Reyes Coll-Tellechea and Anthony Zahareas Shakespeare, Calderón and the story of false adultery

Authors

  • Reyes Coll-Tellechea
  • Anthony Zahareas

DOI:

https://doi.org/10.55422/bbmp.417

Keywords:

Theater and Society, Pedro Calderón de la Barca, El Médico de su honra, William Shakespeare, Othello, Adultery and false adultery, Honor code, Teatrum mundi, Appearances and realities

Abstract

Pedro Calderón de la Barca and William Shakespeare adapt the traditional story of the false adultery in El Médico de su honra and Othello, respectively. Both playwrights portray adultery as the failure of an individual to play her social role appropriately. However, Calderón and Shakespeare differ in the way they choose to end the conflict. The two plays show profound theatrical and ideological differences.

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References

Burke, Kenneth. (1945). A Grammar of Motives. New York. Prentice Hall.

Calderón de la Barca, Pedro. (1635?). El Médico de su Honra. Edición crítica y estudio preliminar de Ana Armendáriz Aramendía. Madrid. Iberoamericana. 2007. DOI: https://doi.org/10.31819/9783865279507

Goffman, Erwing. (1959). The Presentation of Self in Everyday Life. Edinburgh. University of Edinburgh Social Sciences Research Center.

Maravall, José Antonio. (1975). La Cultura del Barroco. Análisis de una estructura histórica. Barcelona. Ariel.

Pereira, Oscar. (1989) «Teatrum Mundi: Cervantes y Calderón», Anales Cervantinos. XXVII. 187-203.

Shakespeare, William. (1603?). Othello. Edición y estudio de Julie Hankie, Shakespeare in Production: Othello. Cambridge. Cambridge University Press. 2005.

Williams, Raymond. (1954). Drama in Performance. New Thinkers Library. C. A. Watts.

Published

2022-09-14

How to Cite

Coll-Tellechea , R., & Zahareas, A. (2022). Reyes Coll-Tellechea and Anthony Zahareas Shakespeare, Calderón and the story of false adultery. MENÉNDEZ PELAYO LIBRARY BULLETIN, 84(único), 159–168. https://doi.org/10.55422/bbmp.417